盲目的丈夫们
影片信息
- 状态：HD
- 主演：萨姆·德·格拉斯/Francelia Billington/埃里克·冯·施特罗海姆/Fay Holderness/Richard Cumming/
- 导演：埃里克·冯·施特罗海姆/
- 年份：1919
- 地区：美国
- 类型：爱情/
- 时长：内详
- 上映：未知
- 语言：英语
- 更新：2024-04-30 14:52
- 简介： Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
- 966
-
关注公众号观影不迷路
-
扫一扫用手机访问
9.0
网友评分
319次评分
扫一扫用手机访问
剧情简介
Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
为你推荐
换一换-
正片8.0 卢克·海姆斯沃斯/摩根·弗里曼/Joseph Baena/
-
抢先版10.0 卡莉·史派妮/戴维·荣松/阿奇·雷诺/伊莎贝拉·莫塞德/斯派克·费恩/爱玲·吴/罗茜·伊德/索玛·西蒙/本斯·欧科克/维克托·欧利祖/罗伯特·勃洛克茨基/特雷沃·纽林/安妮玛丽·格里格斯/伊安·霍姆/丹尼尔·贝茨/
-
HD4.0 赵英龙/马驰/王鹤贺/
-
TC4.0 河合优实///吉田美月喜/
-
TS中字7.0 汤姆·哈迪/切瓦特·艾乔福/朱诺·坦普尔/斯蒂芬·格拉汉姆/瑞斯·伊凡斯/佩吉·陆/安迪·瑟金斯/克拉克·巴茨科/阿兰娜·乌巴赫/克里斯托·费尔南德斯/哈拉·芬利/达什·麦克劳德/布鲁克·卡特/伊沃·南迪/奥蒂斯·温斯顿/
-
TS中字8.0 王传君/张钧甯/吴镇宇/王圣迪/蔡明/金士杰/黄明昊/徐娇/阿如那/王成思/柳小海/邢佳栋/李梦/沈浩/程茉/穆梦娇/顾明漪/卓依娜姆/王晓赟子/邓金煌/
-
正片7.0 洪金宝/吴耀汉/冯淬帆/苗侨伟/曾志伟/
-
HD2.0 凯文·哈特/利尔·迪基/戴夫·查普尔/吉米·法伦/蒂凡尼·哈迪斯/切尔西·韩德勒/克里斯·洛克/杰瑞·宋飞/J·B·斯穆夫/
-
正片4.0 琳娜·海蒂/Nick Frost/
-
HD中字6.0 山崎贤人/吉泽亮/桥本环奈/清野菜名/满岛真之介/冈山天音/三浦贵大/滨津隆之/萩原利久/吉川晃司/长泽雅美/小栗旬/大泽隆夫/佐藤浩市/玉木宏/山田裕贵/山本耕史/新木优子/
-
抢先版4.0 祖晴/张琳/邓玉婷/刘红韵/高全胜/赵娜/
-
HD1.0 刘智爱/咸延枝/温流/李成烈/金韶情/林娜荣/李垂珉/权玄彬/金知训/朴泰仁/张荣男/赵智承/柳圣贤/
-
更新至第01集7.0 未知
-
正片7.0 乔恩·沃伊特/Adam Woodward/马尔顿·索克斯/夏洛特·维嘉/
-
正片8.0 阿莉尔·凯贝尔/扎克·罗里格/丹妮尔·维加/
-
HD10.0 尼古拉·科斯特-瓦尔道/乔·科尔/查尔斯·丹斯/海达·里德/
-
正片10.0 阿什利·默尔/卡麦蓉·毕坎多瓦/安德烈·安东尼/Christian Rose/Shiloh O’Reilly/盖治·/玛什/基娜·巴斯蒂达斯/玛雅·巴斯蒂达斯/
-
HD8.0 黄冠智/施名帅/郑志伟/范瑞君/胡玮杰/廖钦亮/
-
HD4.0 丹尼尔·克雷格/德鲁·斯塔基/莱丝利·曼维尔/詹森·舒瓦兹曼/亨利·扎格/奥马尔·阿波罗/大卫·洛韦里/科林·贝茨/德鲁·德勒格/利桑德罗·阿隆索/阿里尔·舒曼/洛伦佐·博赞/洛尼亚·艾娃/西蒙·里佐尼/福特·勒兰德/安德烈斯·杜普拉特/Diego Benzoni/Radu Murarasu/Michael Borremans/Daan de Wit/
-
HD10.0 奥斯汀·巴特勒/汤姆·哈迪/朱迪·科默/迈克尔·珊农/迈克·费斯特/波伊德·霍布鲁克/诺曼·瑞杜斯/达蒙·海瑞曼/博·纳普/艾莫里·科恩/卡尔·格洛斯曼/托比·华莱士/海皮·安德森/保罗·斯帕克斯/威尔·奥德哈姆/米尔卡·吉尔滕/保罗·狄龙/瓦莱丽·简·帕克/托尼·多诺/
-
HD8.0 黄宥天/朱丽岚/金玄雨/赵熠洋/廖茉汐/王荣宏/
-
HD4.0 Richard Cabral/Robert LaSardo/Corina Calderon/
-
正片5.0 亚伦·泰勒-约翰逊/罗素·克劳/阿丽亚娜·德博斯/克里斯托弗·阿波特/亚历桑德罗·尼沃拉/弗莱德·赫钦格/莱维·米勒/格雷戈·科尔帕克奇/劳勃·雷恩/穆拉特·赛文/恬伊·基/朱迪·布莱克特/横山幸子/卢克·迪克西/维尔·博登/彼得·华生/杰西卡·周/
-
正片6.0 刘盼/张蒙鑫/刘祐榕/井霄丹/张新锋/赵若轩/马佳豪/张峻希/
-
HD1.0 丹尼尔·克雷格/德鲁·斯塔基/莱丝利·曼维尔/詹森·舒瓦兹曼/亨利·扎格/奥马尔·阿波罗/大卫·洛韦里/科林·贝茨/德鲁·德勒格/利桑德罗·阿隆索/阿里尔·舒曼/洛伦佐·博赞/洛尼亚·艾娃/西蒙·里佐尼/福特·勒兰德/安德烈斯·杜普拉特/Diego Benzoni/Radu Murarasu/Michael Borremans/Daan de Wit/
-
HD7.0 伊丽莎白·/培琪/Judith Ann DiMinni/坦米·布兰查德/Rick Zahn/
-
HD3.0 布拉德·兰弗洛/约瑟夫·梅泽罗/安娜贝拉·莎拉/戴安娜·斯卡尔维德/Aeryk Egan/约翰·卡洛·林奇/
-
HD3.0 欧玛·艾普斯/图派克·夏库尔/杰梅因·霍普金斯/卡哈利·凯恩/Cindy Herron/Vincent Laresca/塞缪尔·杰克逊/
-
HD3.0 田成仁/张妍/郝洋/于伟杰/
-
HD中字9.0 鲁阿里德·莫利卡/希夫图·卡西姆/乔纳森·海德/英格瓦·埃盖特·西古德松/迪伦·布雷迪/佩德罗·米纳斯/马蒂亚斯·莫雷特/阿卡巴尔·库尔塔/Laurent Maria/拉腊·罗西/Michael Jean-Marain/大卫·内尔斯特/利安娜·贝斯特/斯特拉·古奈特/Marcus Macleod/Jamie Melrose/Tom Hall/Orlando Norman/Peter Collins/Selina Boyack/
